In an exclusive interview with Pinkvilla, when asked if, in this competitive world, he feels the nervousness of getting typecast, Himanshu said that he doesn't. He earlier played Lord Krishna in Radha Krishna, Lord Vishnu in Ramayan, Buddha in the show by the same name and a modern Lord Shiva in Neeli Chatri Waale. Produced by Siddharth Kumar Tewary, the show will see Ramayan from the perspective of Luv Kush and while that sounds exciting, this is Himanshu's fourth portrayal as lord. The show sees Himanshu Soni play Lord Ram as Shivya Pathania plays Sita. Ganapathy is specifically interested in examining notions of performance and performativity in art and the everyday life.Ram Siya Ke Luv Kush premiered on Colors from August 5 at 8: 30 PM. Ganapathy's research engages in critical representations of race, class, gender, and sexuality in twentieth century theatre and performance. She has collaborated with various artists, performers, and scholars in India, Sweden, and the United States. Prior to WVU, Ganapathy taught at The Pennsylvania State University Berks Campus and Stockholm University in Sweden. Ganapathy began her career in theatre as a professional actor in New Delhi, India. Radhica Ganapathy is Assistant Professor in the School of Theatre & Dance at West Virginia University. The translations are accompanied with summaries and supporting commentaries to further illuminate the performance, its sub-text, and cultural references, as well as an introduction that locates purposeful connections between the performance and Ramanand Sagar's Ramayan which continues to serve public memory, collective sentiment, and Hindutva politics. This article draws attention to the language of the Lav-Kush Ramlila, specifically through translations of three pivotal scenes: Ram's Exile, Lakshman Cuts Off Shurpnakha's Nose, and Hanuman Fetches Sanjivani, as derived from its live performance in 20. What helps sustain its position in the Indian psyche is accessibility to the story of Ram. While the festivities of many Indian celebrations allow modern audiences to bear witness to an amalgam of ritual, religion, and histrionics, the Ramayan maintains a prime position in shaping the national narrative. Its attractiveness, owing to its casting, includes film and television personalities from entertainment industries across India. Lav-Kush Ramlila, staged at the Red Fort, has gained popularity in recent years amongst other similar dramatic re-enactments of the epic saga.
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